![]() ![]() I remember I saw other videos but nothing made sense, this one did. 150 New Presets for Zebra Following in the foot steps of the famous, 'Zebras Dream in Color Vol.1. I got my introduction by a series of YouTube videos called "Intro to Synthesis" from Matrixsynth. U-He Zebra Presets - Zebras Dream in Color Vol.2. Does not take too long and once you grasp the basics, there will be loads of "AHA!" moments. Try to understand the elements (Oscillators, envelopes, modulators, filters) and then how each affects the others. Can only recommend it.Īs for the beginner part, not much you can do but learn the basics. Yes, its 35USD, but without it, Zebra would still be gathering digital dust. Plugmon has now released a Neumann Pro version which it makes it even easier to see all relevant modules on one screen. (And once you know Zebra, you'll be able to handle anything that is put in front of you). Suffice to say that now Zebra is my main synth.ĭiva is still more intuitive to work with and immediate for analogue sounds, but with the right wavetables, I think you can squeeze much more out from Zebra. The Neumann interfase just makes it so much more intuitive (and fun!). A cinematic producers toolkit containing 180 presets, it provides a data trove of sounds that will effortlessly breathe life into your. It was until I saw that someone had made a new interfase for it (Neumann, from plugmon.jp) so I bought it and then things just started to click. Initially I really tried getting into Zebra but it was frustrating. ![]() The sound is quite 'natural' sounding, meaning it sounds more like a Virtual Hardware Synth than a. I hold Zebra 2 in the same ranks as Synthmaster 2.5, and Sylenth. The recent batch of 'Flagship' soft synths have really been sounding great. Initially I liked Diva for the ease of use, however I knew that Zebra HZ was much more powerful - the sounds that came with it were nothing short but amazing but trying to figure it out was complex. The Zebra 2 performs very well in both DAWs without any hiccups. So if you want to mess with subtractive, additive, wave morphing, FM, karplus-strong, but hate virtual patch cables all over your screen like I do, Zebra is well worth the investment. It combines many different types of synthesis with a powerful modulation engine. The UI is a bit dated, because it’s one of U-He’s oldest synths, and a whole new version is on the way “soon.” Zebra is our wireless modular synthesizer. It is insanely power though, with multiple types of synthesis including 4-op FM. But you really need to read the manual and go through the video tutorials. The learning curve is steep, but it’s more about understanding the nuances of each module the overall flow is straightforward and it only shows you the modules you’re using in the patch, so there’s less clutter. Zebra is an entire modular ecosystem, but without patch cables. If you are looking for classic analog or early digital sounds, it’s the one. If you already understand subtract synthesis, it’s very easy to pick up. I use Diva slightly more, but I mainly use 3rd party presets. So, next time you get a call from a Netflix producer asking you to score a bleak Scandinavian drama about a brilliant but troubled detective trying to save his marriage while investigating a series of grizzly murders, you know where to turn.I own both. It's reasonably priced too, at just €29, and there's even a free demo available, which contains eight patches and can be used without any limitations. They're all categorised by type and ready to use out of the box, but can of course be extensively manipulated using Zebra 2's synth-style controls. ![]() Indeed, its creator - film composer and sound designer Andreas Moisa - tells us he was specifically inspired to make it by the moody soundtracks to programmes like Marcella, Blacklist, Broadchurch and The Sinner.Ĭrime Fundamentals boasts hundreds of eerie sounds, from reverb-drenched pads and atmospheres to suspenseful swells, urgent percussive backings and ominous bass tones. If the artwork for Whatabaudio's new soundset for U-he's Zebra 2 soft-synth reminds you of a gritty Nordic TV drama, that's quite appropriate: Crime Fundamentals is aimed squarely at film and TV composers scoring for the crime genre. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |